An Analysis of Charles Williams’ The Son of Lancelot In William’s poem The Son of Lancelot, we are treated to a dramatic tableau of pagans dancing on the Palatine hill in Rome during the Lupercalia festival. This is led by vicars of Rhea Silvia, the mother of Romulus and Remus, who conceived the twins after [...]
Some Sketches for Charles Williams’ The Vision of the Empire
The king's poet gazed in the mirror of the Horn... Phosphorescent on the stagnant level a headless figure walks in a crimson cope, [...] His guard heaves round him; heaven-sweeping tentacles stretch, dragging octopus bodies over the level;
Why is Taliessin a Unicorn?
Following on from my last article on the Octopods in P’o-lu, I thought I would attempt a brief look at Taliessin’s Song of the Unicorn, to see if we can make any interpretations of its symbolism in a traditional vein. While the answer may get very abstract and philosophical, the question I have to ask [...]
Why are there ‘Octopods’ in P’o-lu?
Any readers of this blog unfamiliar with Charles Williams’ Taliessin poems will have to forgive this rather absurd-sounding question, and may pass over the answers given here. But, really, why are there octopods in P’o-lu? The reason, I believe, is linked to Williams’ use of the Zodiac. The octopus corresponds to the house of Cancer, [...]
Charles Williams: An Introduction to His Arthurian Cycle
Charles Williams is a much overlooked figure in literature; of the trio of Williams, Lewis and Tolkien who were arguably the most notable of the inklings, he is least well known, despite a prolific output in a range of areas from Theology to literary criticism, and in forms ranging from the biography and the thriller [...]